Civilization versus barbarism

This is what we're up against.

Arts organizations not responsible, businesslike or self-sufficient?

At least that's what I think he is saying:

"What's really frustrating from our perspective is that the Conservative government is removing a program that enables institutions to do what the government wants them to do, which is become more responsible, more businesslike, more self-sufficient," said Shawn Van Sluys, executive director of the Canadian Art Museum Directors' Organization, in an interview.

The $27.1-million Canadian Arts and Heritage Sustainability Program was created in 2001 "to strengthen organizational effectiveness and build capacity of arts and heritage organizations."

If, as Van Sluys seems to suggest, the program has been unable to achieve its objectives after seven years, then perhaps we whould admit failure and shut it down. At some point, the government must stop holding the hands of arts administrators if they refuse to grow up. There is no reason for this program to continue into perpetuity.

Heritage Minister Josée Verner is right. It is time to look at new and better ways of supporting the arts.

Another bookstore bites the dust

It's rather sad to see another independent bookstore close. I once worked in one (which is also no longer in business) and have spent a lot of money in them.

Alas, I rarely buy books from bookstores anymore. I still buy books, just not from bookstores. Amazon.ca (notice my banner link) now gets most of my business. Apparently, I'm not the only one:

Staff at The Book Room, a 169-year-old shop presently located on a corner of Halifax's bustling Barrington Street, unwittingly opened the box to discover the same titles they already had in stock -- plus an invoice from one of the big Internet booksellers.

"Somebody had ordered a bunch of books from Amazon," Charles Burchell, who managed the bookstore for more than 40 years, recounted in a recent interview. "To find that it was books we had on our shelves that they could have had in five minutes rather than five days if they'd walked downstairs ... that really made us sit up and take notice."

It was a slap in the face to the independent store that has been fighting a losing battle against book behemoths, the proliferation of literature to supermarkets and big box stores and the convenience of Internet ordering for the better part of a decade.

"It said to me that there's a group of people out there who don't want to make use of a bookstore," Mr. Burchell lamented. "We really couldn't see a future anymore."

It is easy to get all nostalgic, but this is about economics. Before the internet, a knowledgeable clerk in an independent bookstore was a key source of information. Most clearly loved books and could be a very valuable resource, particularly if their interests happened to coincide with yours. In part, it was this knowledge that you paid for when you bought a book at list price.

With the internet, that information and more is available online for free. The economies of scale for an online bookseller in providing this information are virtually limitless. An independent bookstore cannot really compete against that without embracing the same tools or by focusing on very specialized market niches.

Sadly, it is either adapt or perish.

Model of diversity?

Apparently not.

He's a tall white guy and I'm a short brown girl, but our experience of diversity at Woburn Collegiate and Toronto as a whole is similar: in his words, “There's an idea of a multicultural paradise, but it's unenforced.” Or, as I'd put it, this city is home to a lot of people who look different and speak different languages, but don't intermingle in a meaningful way.

[...]

Geographic diversity is crucial in sprawling Toronto. More and more, the outer suburbs are increasingly marginalized, home to the newest Canadians. Whole groups of Torontonians never bump up against each other – and so have no understanding of each other's basic needs.

[...]

It's time for diversity to become a real goal, and that means talking about things that can make us feel icky.

[...]

My Toronto can include you, white guy – if yours can include Etobicoke, strip malls and events where you stand in an audience that looks nothing like you, cheering for a stranger with whom you have nothing in common.

The end of DRM?

Steve Jobs may have made Bev Oda's job easier. Balancing the different views on digital rights management (DRM) has been a key factor holding up Oda's legislation on copyright. DRM is used to protect music, movies and other digital content. In a recent essay, Jobs envisages a world without DRM. He makes a convincing case:

The third alternative is to abolish DRMs entirely. Imagine a world where every online store sells DRM-free music encoded in open licensable formats. In such a world, any player can play music purchased from any store, and any store can sell music which is playable on all players. This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat. If the big four music companies would license Apple their music without the requirement that it be protected with a DRM, we would switch to selling only DRM-free music on our iTunes store. Every iPod ever made will play this DRM-free music.

Why would the big four music companies agree to let Apple and others distribute their music without using DRM systems to protect it? The simplest answer is because DRMs haven’t worked, and may never work, to halt music piracy. Though the big four music companies require that all their music sold online be protected with DRMs, these same music companies continue to sell billions of CDs a year which contain completely unprotected music. That’s right! No DRM system was ever developed for the CD, so all the music distributed on CDs can be easily uploaded to the Internet, then (illegally) downloaded and played on any computer or player.

In 2006, under 2 billion DRM-protected songs were sold worldwide by online stores, while over 20 billion songs were sold completely DRM-free and unprotected on CDs by the music companies themselves. The music companies sell the vast majority of their music DRM-free, and show no signs of changing this behavior, since the overwhelming majority of their revenues depend on selling CDs which must play in CD players that support no DRM system.

So if the music companies are selling over 90 percent of their music DRM-free, what benefits do they get from selling the remaining small percentage of their music encumbered with a DRM system? There appear to be none. If anything, the technical expertise and overhead required to create, operate and update a DRM system has limited the number of participants selling DRM protected music. If such requirements were removed, the music industry might experience an influx of new companies willing to invest in innovative new stores and players. This can only be seen as a positive by the music companies.

Much of the concern over DRM systems has arisen in European countries. Perhaps those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free. For Europeans, two and a half of the big four music companies are located right in their backyard. The largest, Universal, is 100% owned by Vivendi, a French company. EMI is a British company, and Sony BMG is 50% owned by Bertelsmann, a German company. Convincing them to license their music to Apple and others DRM-free will create a truly interoperable music marketplace. Apple will embrace this wholeheartedly.

All the music on my iPod is DRM free. Virtually all of it is ripped from my CD collection. My experiences with protected content have not been positive. I refuse to buy it. I only buy CDs.

I do have two DRM-protected tracks (Iggy Pop's I'm a Conservative and Vaccination Scar by the Tragically Hip) on my computer that I once downloaded from PureTracks with a digital coupon I received with some cheese I bought. Unfortunately I have been unable to play them. I've "refreshed" the licence at least three times, but they no longer work. That is far too much trouble to play something for which I own the rights. DRM has got to go.

Steve Jobs is on the right track. DRM is not worth the hassle for consumers, and its ability to protect the rights of creators is seriously in question. I hope Oda is listening. Protecting DRM has no place in Canadian copyright leglislation.

Culturally assertive

It seems that the people of the town of Herouxville, Quebec have been reading Mark Steyn's new book. Not only are they showing confidence in their culture, they are being downright culturally assertive.

A code of standards sent to the federal and provincial governments last week by Herouxville's municipal council has put the town of 1,300 inhabitants, about 150 kilometres northeast of Montreal, at the centre of Quebec's increasingly divisive debate over integrating minorities.

Among the information the municipality asks federal and provincial officials to distribute to potential immigrants:

• It is forbidden to stone women, burn them alive, throw acid on them or circumcise girls.
• Consumption of alcohol is common in Herouxville, as is dancing. "At the end of every year, we decorate a tree with balls and tinsel and some lights. This is normally called 'Christmas decorations' or also 'Christmas tree.' "
• Boys and girls swim together in public pools.
• Veils are not welcome. "The only time you may mask or cover your face is during Halloween."

In another time, this would not need to have been said. My how things have changed.